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opus_judithbrisson
Aucun résumé des modifications |
(opus_judithbrisson) |
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| Ligne 9 : | Ligne 9 : | ||
Charlie - Friend and colleague of Sol | Charlie - Friend and colleague of Sol | ||
== Textes | == Textes == | ||
Charlie’s Coming. | Charlie’s Coming. | ||
| Ligne 115 : | Ligne 115 : | ||
'''Ain''' (''With determination'') I’m leaving you Sol. I’ve been thinking about it for a little while. But now I’ve decided. | '''Ain''' (''With determination'') I’m leaving you Sol. I’ve been thinking about it for a little while. But now I’ve decided. | ||
Sol | '''Sol''' (''Unbelieving'') I know I haven’t been right, Ain, I know I haven’t been right since I got back. And I’m sorry, but I can’t go to the VA Center. You know why. I’ll never be anything but a soldier or a captain or some computer-button-pusher if they find out I’m not right. | ||
(Unbelieving) I know I haven’t been right, Ain, I know I haven’t been right since I got back. And I’m sorry, but I can’t go to the VA Center. You know why. I’ll never be anything but a soldier or a captain or some computer-button-pusher if they find out I’m not right. | |||
Ain | '''Ain''': You need help, Sol. (''recovering from crying'') I’m not the one who can help you. I’ve been paying the bills, cleaning the house, doing the cooking, looking after your injuries. You’re almost better. You don’t need me any more. | ||
You need help, Sol. (recovering from crying) I’m not the one who can help you. I’ve been paying the bills, cleaning the house, doing the cooking, looking after your injuries. You’re almost better. You don’t need me any more. | |||
Sol | '''Sol''': Ain | ||
Ain | |||
Ain | '''Ain''' (''Silence'') | ||
(Silence) | |||
Sol | '''Sol''': Ain. I do need you. I need you because your the only one I have, you know that. I have no brothers, no sisters, the only time my dad gave a shit about me was when I filed my post-op reports. You can’t leave me! Ain, listen to me. | ||
Ain. I do need you. I need you because your the only one I have, you know that. I have no brothers, no sisters, the only time my dad gave a shit about me was when I filed my post-op reports. You can’t leave me! Ain, listen to me. | |||
Ain | '''Ain''': Why do you give a shit about him, you’re dad’s a creep. | ||
Why do you give a shit about him, you’re dad’s a creep. | |||
Sol | '''Sol''': He’s a businessman. | ||
He’s a businessman. | |||
Ain | '''Ain''': He’s not a businessman. | ||
He’s not a businessman. | |||
Sol | '''Sol''': He’s a goddamn businessman, he runs his own business! | ||
He’s a goddamn businessman, he runs his own business! | |||
Ain | '''Ain''': Jesus, Sol, your dad runs a mercenary army. Didn’t you read what Skunkwater did in Iraq? Didn’t you read the news? | ||
Jesus, Sol, your dad runs a mercenary army. Didn’t you read what Skunkwater did in Iraq? Didn’t you read the news? | |||
Sol | '''Sol''' (''Somberly, head in hands'') I can’t read the news. | ||
(Somberly, head in hands) I can’t read the news | |||
'''Ain''': Well you should read the news! Between your dad’s company and the real military, they did all kinds of bad shit over there. Things nobody deserves to have to live through, things nobody over here wants to hear about: executions of innocent people, ‘enhanced interrogations’, white phosphorous, depleted uranium, attacks on families, children... | |||
'''Sol''' (''Agitated and hyperventilating''): STOP TALKING AIN! | |||
'''Ain''': Your dad had a hand in all of that bad shit, plus he never even bothered to come to our wedding. He never calls or writes a card or anything. He’s a loser, Sol. Fuck him! | |||
'''Sol''': Leave my dad out of this. | |||
Sol | |||
Ain | '''Ain''': I don’t get it, why do you protect that guy? He’s a fucking mercenary who doesn’t give a shit about anybody, even his only son! | ||
Sol | '''Sol''' (''Brooding'') | ||
( | |||
Ain | '''Ain'''(''walking away'') | ||
Sol | '''Sol''' (''With fear''): Where are you going? | ||
( | |||
Ain | '''Ain''': I’m going to my sister’s. | ||
Sol | '''Sol''' (''menacingly''): You ain’t going to your sister’s and you ain’t leaving either. | ||
Ain | '''Ain''': I’m going to my sister’s Sol, get that through your head. I’m going to my sister’s and I ain’t coming back. You hear me? I will not be back! | ||
Sol | '''Sol''': I hear ya. | ||
'''Ain''': Good. | |||
'''Sol''': Now sit down. | |||
Sol | '''Ain''': No Sol, I’m leaving. | ||
'''Sol''': You ain’t told me about Charlie yet. | |||
Sol | |||
Sol | '''Ain''': Sol, I’m leaving. | ||
'''Sol''' (''Pulls out a Glock, puts it on the table''): Sit yourself down and tell me about Charlie. | |||
( | |||
Sol | '''Ain''' (''Wide-eyed, remaining standing''): There’s nothing to tell Sol. I just can’t take it any more, the yelling, the ordering around, the drinking, the hits, I’m bruised Sol, you see here? (''Pulling up sleeve to reveal bruised upper arm'') This is from three weeks ago. I’m not leaving you for Charlie, I’m just leaving. | ||
'''Sol''': Does Charlie know about this? | |||
'''Ain''' (''Lying''): The taxi will be here in two minutes. | |||
Ain | '''Sol''': You can’t do this to me Ain, you’re my wife! | ||
'''Ain''' (''Goes offstage, packing noises emanate from off-stage'') | |||
Ain, | |||
Ain | '''Sol''': Ain, don’t leave me baby. I’m sorry. I know I’m fucked up, I’m sorry. I’m just waiting for the right posting. Things will be better when I get back to work. You know things was never like this before, Ain. You know we were always good together, before I... | ||
Sol | '''Ain''' (''Suddenly appearing'') Before is right! Things have changed Sol, and not for the better. You’ve changed. We’ve changed. Things are shit now and I can’t stand it any more. | ||
Ain | '''Sol''': I ain’t got nobody, Ain. Nobody. You can’t do this to me. (''Begins to cry'') | ||
( | |||
Sol | '''Ain'''(''Softly'') Sol.. | ||
Ain | '''Sol''': I’ll end up begging in the streets, Ain, please don’t go... | ||
Sol | '''Ain''': It’s too late Sol. I gotta go. | ||
'''Sol''': This is not right. | |||
'''Ain''': It’s right for me, Sol. I’m sorry. I have to leave now. | |||
'''Sol''': Give me another chance, baby. I’ll go see a counsellor, I promise. | |||
'''Ain''': Like I ain’t heard that before! | |||
I | |||
Ain | '''Sol''': I can’t be alone, Ain. | ||
'''Ain''': You’ll be fine. Charlie will be here in two hours (lying). | |||
( | |||
'''Sol''' (''Silence'') | |||
Sol | '''Ain''': You take care now, Sol. I’ll call you some time. (''walks offstage with some hesitation, hand on her cheek, door slams'') | ||
( | |||
'''Sol''' (''Gazes at the gun. Leans forward to grab it, examines it with contemplation, points it towards his face as his cell phone begins to ring, looks into the barrel, (long pause) and puts it down. Gets his cell phone out of his pocket, answers the call.) | |||
(hopeful'') Ain? | |||
'''Male voice''': No it’s Charlie, Sol. How’re ya doing, man? | |||
'''Sol''': Not so good Charlie, Ain is gone. | |||
Charlie | '''Charlie''': She’ll be back soon, Sol. I’m gona be over soon to check things out OK? You gona be alright until then? | ||
She’ll be back soon, Sol. I’m gona be over soon to check things out OK? You gona be alright until then? | |||
Sol | '''Sol''': I dunno, Charlie (''absently''). I dunno if I’m gonna be alright.. | ||
I dunno, Charlie (absently). I dunno if I’m gonna be alright.. | |||
Charlie | '''Charlie''': You hang in there for a bit, OK?I just have a couple of thing to take care of. Feel like burgers? I can pick up some burgers on my way over. | ||
You hang in there for a bit, OK?I just have a couple of thing to take care of. Feel like burgers? I can pick up some burgers on my way over. | |||
Sol | '''Sol''': Could ya get a couple a beers too? | ||
Could ya get a couple a beers too? | |||
Charlie | '''Charlie''': Sure thing. | ||
Sure thing. | |||
Sol | '''Sol''': Thanks, man. | ||
Thanks, man. | |||
== Notes, contre notes == | == Notes, contre notes == | ||
Je n | Je n'ai pas pris le temps de traduire avant que tu aies la chance de le lire en anglais. Tu verras rapidement le pourquoi de ma question de pour famille (?) et aussi le manque d'humour. Si vous voyer que ce n'est pas du tout acceptable comme pie.ce pour le cabaret, il n'y a pas de problême. Je me concentre plutôt sur le dialogue de la tortue. J'attend de vos commentaires! xo Judith | ||